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RACHEL T.R. ALEXANDER. 2015. Tales of cultural transfer: Russian opera abroad, 1866-1906. PhD thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 37.95%
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ELENA ARTAMONOVA. 2013. Between tradition and modernity: Sergei Vasilenko and his unknown works for viola and piano. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 48.11%
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C.M. ASKEW. 2002. Sources of inspiration in the music of Sofia Gubaidulina: Compositional aesthetics and procedures. Ph.D. thesis. Huddersfield.
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Last edited by: Gregory Walker
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Pop. 79.21%
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P.T. AUSTEN. 2001. Chasing the Fox: On the trail of Stravinsky's neglected masterpiece. M.Phil. thesis. Manchester.
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Added by: gerard
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Pop. 80.66%
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R.A. BARTLETT. 1990. Wagner and Russia: The influence of the music and ideas of Richard Wagner on the artistic and cultural life of Russia and the Soviet Union, 1841-1941. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 72.44%
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ADAM BEHAN. 2022. Life, work and the individual classical performer: Maria Yudina's artistic practice and imagination [Russian pianist, 1899-1970]. PhD thesis. Cambridge.
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Added by: Gregory Walker
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Pop. 2.9%
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ANASTASIA BELINA. 2009. A critical re-evaluation of Taneyev's 'Oresteia'. PhD thesis. Leeds.
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Last edited by: Gregory Walker
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Pop. 70.75%
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B.W. BLACKWOOD. 1972. The music of the Ballets Russes, 1909-1919. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 68.9%
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S. CAMPBELL. 1985. V. F. Odoyevsky and the formation of Russian musical taste in the nineteenth century. Ph.D. thesis. Glasgow.
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Added by: gerard
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Pop. 63.26%
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F.G. CAULFIELD. 2001. Template morphology and serial invariants: Compositional procedures in Stravinsky's late sketch collections, 1958-66. Ph.D. thesis. TC Dublin.
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Added by: gerard
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Pop. 62.77%
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W.-L. CHEONG. 1991. The late Scriabin: Pitch organisation and form in the works of 1910-14. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 59.63%
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YUANPU CHIAO. 2012. The changing style of playing Rachmaninoff's piano music. PhD thesis. KCL.
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Added by: Gregory Walker
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Pop. 12.65%
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ROXANNE C. COPPING. 2016. Composers and the Ballets Russes: Convention, innovation and evolution as seen through the lesser-known works. PhD thesis. Manchester.
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Last edited by: Gregory Walker
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Pop. 30.06%
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B.J. DAVIES. 2000. Debussy and Stravinsky: Friendship and interaction, 1910-1918. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 65.27%
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ANNA M. DAVIS. 2011. A Russian eschatology: Theological reflections on the music of Dmitri Shostakovich. PhD thesis. Exeter.
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Last edited by: Gregory Walker
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Pop. 51.41%
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C.R. DEE. 2007. Music and propaganda: Soviet music and the BBC during the Second World War. PhD thesis. Manchester.
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Last edited by: Gregory Walker
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Pop. 59.87%
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MARGARET FRAINIER. 2021. The Russian opera libretto as preached and practiced in the nineteenth century. DPhil thesis. Oxford.
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Added by: Gregory Walker
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Pop. 6.04%
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HELEN GALBRAITH. 2012. Pushkin and Pushkin celebrations in Russian and Soviet song: assessing the development of a musical tradition. PhD thesis. Bristol.
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Last edited by: Gregory Walker
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Pop. 46.98%
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E.J.C. GARDEN. 1969. Mily Alekseyevich Balakirev: A critical study of his life and music. Ph.D. thesis. Edinburgh.
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Last edited by: Gregory Walker
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Pop. 39.73%
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S.A.K. GRIFFITHS. 1982. A critical study of the music of Rimsky-Korsakov up to 1890. Ph.D. thesis. Sheffield.
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Last edited by: Gregory Walker
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Pop. 42.87%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.