UTREES: University Theses in Russian, Soviet and East European Studies 1907--

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Displaying 1 - 20 of 33 (Bibliography: WIKINDX Master Bibliography)
 
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RACHEL T.R. ALEXANDER. 2015. Tales of cultural transfer: Russian opera abroad, 1866-1906. PhD thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 27.53%
MICHELLE ASSAY. 2016. 'Hamlet' in the Stalin era and beyond: stage and scene. Ph.D. thesis. Sheffield. Last edited by: Gregory Walker  v    Pop. 18.32%
S. BOWDEN. 1993. 'Petrouchka' in performance, 1911: Tensions and illusions. Ph.D. thesis. Surrey. Last edited by: Gregory Walker  v    Pop. 57.37%
E. BRAUN. 1970. The dramatic theory and practice of Vsevolod Meierkhol´d. Ph.D. thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 60.04%
BRYAN K. BROWN. 2013. Tracing the laboratory line: The phenomenon of the theatre laboratory and its manifestations in Russia. PhD thesis. Leeds. Last edited by: Gregory Walker  v    Pop. 41.25%
M.A.S. BURGESS. 1953. A survey of the stage in Russia from 1741 to 1783 with special reference to the development of the Russian theatre. Ph.D. thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 59.39%
JOEL CHALFEN. 2011. Performances of conscience at three historic site museums [including the Gulag Museum at Perm-36]. PhD thesis. Manchester. Last edited by: Gregory Walker  v    Pop. 52.49%
ROXANNE C. COPPING. 2016. Composers and the Ballets Russes: Convention, innovation and evolution as seen through the lesser-known works. PhD thesis. Manchester. Last edited by: Gregory Walker  v    Pop. 20.17%
VICKY COSTELLO. 2012. Brian Friel, Russia and Ireland: The adaptations and the canon. PhD thesis. NUI (Dublin). Added by: gerard  v    Pop. 45.3%
S.J. DADSWELL. 2005. The spectacle of Russian Futurism: The emergence and development of Russian Futurist performance, 1910-1914. Ph.D. thesis. Sheffield. Last edited by: Gregory Walker  v    Pop. 64.09%
R.S. DIXON. 1999. Efros and Molière: A study of Anatoly Efros's productions of Bulgakov's 'Molière' and of Molière's 'Don Juan', 'Tartuffe' and 'The Misanthrope'. Ph.D. thesis. TC Dublin. Last edited by: Gregory Walker  v    Pop. 62.43%
ROS DIXON. 2003. From iconoclast to traditionalist: A study of Anatolii Efros's productions of Chekhov, Gogol and Turgenev. PhD thesis. Nottingham. Added by: Gregory Walker  v    Pop. 0.09%
D. DRAGAŠEVIĆ. 2005. Meyerhold, director of opera: Cultural change and artistic genres. Ph.D. thesis. London (Goldsmiths). Last edited by: Gregory Walker  v    Pop. 63.08%
M.M. FRAME. 1998. The St Petersburg Imperial Theatres 1900-1920: Culture and power during the Russian revolution. Ph.D. thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 52.49%
B.J. HENRY. 1996. Theatrical parody at the Krivoe Zerkalo. Russian 'Teatr Miniatyur', 1908-1931. D.Phil. thesis. Oxford. Last edited by: Gregory Walker  v    Pop. 50.28%
Ž.B. JURIČIĆ. 1972. Russian repertory in the Croatian National Theatre, 1874-1914. Ph.D. thesis. Nottingham. Last edited by: gerard  v    Pop. 44.29%
P. KNIGHT. 2007. Radio drama: Sound, text, word; Bakhtin and the aural dialogue of radio drama. PhD thesis. London (Goldsmiths). Added by: gerard  v    Pop. 59.02%
B. MALNICK. 1936. The origin and early history of the theatre in Russia. Ph.D. thesis. London (SSEES). Added by: gerard  v    Pop. 32.32%
R.N. MCCAW. 2003. Bakhtin's other theatre. Ph.D. thesis. London (R Holloway). Last edited by: Gregory Walker  v    Pop. 49.17%
NADINE MEISNER. 2013. The role of Marius Petipa in the creation of Russian ballet. PhD thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 24.49%

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