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A. BAYLEY. 1996. Bartók performance studies: Aspects of articulative notation in the context of changing traditions of composition and performance in the twentieth century. Ph.D. thesis. Reading.
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Last edited by: Gregory Walker
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Pop. 75.06%
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R. BECKLES WILLSON. 1999. György Kurtág's 'The Sayings of Péter Bornemisza', Op.7: Song in a cycle in 1960s Hungary. Ph.D. thesis. London (KCL).
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Last edited by: Gregory Walker
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Pop. 77.12%
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J.P. DAWSON. 1987. The programmatic principle in the symphonic poems of Franz Liszt. M.Phil. thesis. Leeds.
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Added by: gerard
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Pop. 68.56%
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R. DULLEA. 2005. Nation, race and religion in Franz Liszt's 'Des bohémiens et de leur musique en Hongrie'. Ph.D. thesis. NUI (Cork).
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Last edited by: gerard
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Pop. 69.23%
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S.B. EMMERSON. 1983. Two early orchestral works of Béla Bartók: A study of programmatic form and orchestral technique. M.Phil. thesis. Oxford.
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Added by: gerard
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Pop. 61.03%
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-----. 1989. Programmatic and symbolic references in some early works of Bartók. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 60.96%
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M.G.W. GILLIES. 1987. Notation and tonal structure in Bartók's later works. Ph.D. thesis. London (External).
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Added by: gerard
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Pop. 64.5%
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C.J. GOODALL. 1973. Percussive effects in the music of Bartók. Ph.D. thesis. Wales (Bangor).
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Added by: gerard
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Pop. 57.93%
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K.L. HAMILTON. 1989. The opera fantasias and transcriptions of Franz Liszt: A critical study. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 61.99%
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A. KORY. 2005. Béla Bartók and ethnomusicology. M.Phil. thesis. London (KCL).
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Added by: gerard
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Pop. 42.88%
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M.P. MCLAY. 1986. The music of György Kurtág, 1959-1980. Ph.D. thesis. Liverpool.
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Last edited by: Gregory Walker
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Pop. 52.47%
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P.W. MERRICK. 1985. The religious music of Franz Liszt. Ph.D. thesis. Sheffield.
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Added by: gerard
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Pop. 38.08%
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J.L. PARSONS. 2005. Stylistic change in violin performance 1900-1960, with special reference to recordings of the Hungarian Violin School. Ph.D. thesis. Cardiff.
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Last edited by: Gregory Walker
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Pop. 60.07%
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T. RUTHERFORD-JOHNSON. 2009. New music from Poland and Hungary: From reception to analysis [with special reference to Penderecki and Ligeti]. PhD thesis. London (Goldsmiths).
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Added by: gerard
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Pop. 48.04%
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A.G. WILSON. 1975. Form and harmony in the orchestral works and string quartets of Bartók. M.Litt. thesis. Cambridge.
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Last edited by: gerard
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Pop. 44.8%
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R. YAMAMOTO. 2004. György Kurtág's 'Játékok': An analytical study of his musical language. Ph.D. thesis. Roehampton.
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Last edited by: gerard
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Pop. 49.59%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.