UTREES: University Theses in Russian, Soviet and East European Studies 1907--

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Displaying 1 - 20 of 156 (Bibliography: WIKINDX Master Bibliography)
 
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Subject:  Music, Opera
RACHEL T.R. ALEXANDER. 2015. Tales of cultural transfer: Russian opera abroad, 1866-1906. PhD thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 23.68%
ELENA ARTAMONOVA. 2013. Between tradition and modernity: Sergei Vasilenko and his unknown works for viola and piano. PhD thesis. London (Goldsmiths). Last edited by: Gregory Walker  v    Pop. 38.98%
C.M. ASKEW. 2002. Sources of inspiration in the music of Sofia Gubaidulina: Compositional aesthetics and procedures. Ph.D. thesis. Huddersfield. Last edited by: Gregory Walker  v    Pop. 76.03%
LEV ATLAS. 2014. In the shadow of Shostakovich. PhD thesis. St Andrews. Added by: gerard  v    Pop. 37.44%
M. AUDUS. 2007. The 1904 version of Leoš Janáček's 'Jenůfa': Sources, reconstruction, commentary. Ph.D. thesis. Nottingham. Last edited by: Gregory Walker  v    Pop. 77.48%
P.T. AUSTEN. 2001. Chasing the Fox: On the trail of Stravinsky's neglected masterpiece. M.Phil. thesis. Manchester. Added by: gerard  v    Pop. 78.92%
JOVANA BACKOVIC. 2014. Between two worlds: Approaching Balkan oral music tradition through the use of technology as a compositional and performing medium [with special reference to Serbia and former Yugoslavia]. PhD thesis. East Anglia. Last edited by: Gregory Walker  v    Pop. 31.47%
C. BAKER. 2008. Popular music and narratives of identity in Croatia since 1991. PhD thesis. London (UCL). Last edited by: Gregory Walker  v    Pop. 79.21%
CHRISTOPHER J. BALDWIN. 2018. Citizen-centred dramaturgy and the Flow Quartet: European Capital of Culture, Wroclaw, 2016, Poland. PhD thesis. Kent. Added by: Gregory Walker  v    Pop. 0.29%
R.A. BARTLETT. 1990. Wagner and Russia: The influence of the music and ideas of Richard Wagner on the artistic and cultural life of Russia and the Soviet Union, 1841-1941. D.Phil. thesis. Oxford. Last edited by: Gregory Walker  v    Pop. 68.53%
NAOMI BATH. 2017. The contemporary folk music scene in Budapest: Explorations of revival and post-revival. PhD thesis. London (Royal Holloway). Added by: Gregory Walker  v    Pop. 0.29%
A. BAYLEY. 1996. Bartók performance studies: Aspects of articulative notation in the context of changing traditions of composition and performance in the twentieth century. Ph.D. thesis. Reading. Last edited by: Gregory Walker  v    Pop. 67.28%
R. BECKLES WILLSON. 1999. György Kurtág's 'The Sayings of Péter Bornemisza', Op.7: Song in a cycle in 1960s Hungary. Ph.D. thesis. London (KCL). Last edited by: Gregory Walker  v    Pop. 71.41%
ANASTASIA BELINA. 2009. A critical re-evaluation of Taneyev's 'Oresteia'. PhD thesis. Leeds. Last edited by: Gregory Walker  v    Pop. 66.89%
EUGENE A. BIRMAN. 2015. Twenty years of independence: Modern Estonian music, EU integration and effects on identity. DPhil thesis. Oxford. Last edited by: Gregory Walker  v    Pop. 28.39%
B.W. BLACKWOOD. 1972. The music of the Ballets Russes, 1909-1919. Ph.D. thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 66.51%
B. BOLESLAWSKA-LEWANDOWSKA. 2010. Symphony and symphonic thinking in Polish music after 1956. PhD thesis. Cardiff. Last edited by: Gregory Walker  v    Pop. 57.56%
MAUREEN J. BONELLO. 2011. Voříšek's piano works: An explanation of this repertoire through performance […], with a critical edition of Voříšek's Rondo Espagnol, Op. 17, for piano and orchestra. PhD thesis. Surrey. Last edited by: Gregory Walker  v    Pop. 51.2%
C.M. BROOKE. 1999. The development of Soviet music policy, 1932-41. Ph.D. thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 67.66%
D. BROUGH. 1981. Polish seventeenth-century church music with reference to the influence of historical, political and social conditions. D.Phil. thesis. Oxford. Last edited by: gerard  v    Pop. 67.28%

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