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RACHEL T.R. ALEXANDER. 2015. Tales of cultural transfer: Russian opera abroad, 1866-1906. PhD thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 45%
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ELENA ARTAMONOVA. 2013. Between tradition and modernity: Sergei Vasilenko and his unknown works for viola and piano. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 54.77%
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C.M. ASKEW. 2002. Sources of inspiration in the music of Sofia Gubaidulina: Compositional aesthetics and procedures. Ph.D. thesis. Huddersfield.
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Last edited by: Gregory Walker
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Pop. 82.46%
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LEV ATLAS. 2014. In the shadow of Shostakovich. PhD thesis. St Andrews.
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Added by: gerard
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Pop. 49.59%
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M. AUDUS. 2007. The 1904 version of LeoÅ¡ JanáÄek's 'Jenůfa': Sources, reconstruction, commentary. Ph.D. thesis. Nottingham.
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Last edited by: Gregory Walker
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Pop. 83.57%
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P.T. AUSTEN. 2001. Chasing the Fox: On the trail of Stravinsky's neglected masterpiece. M.Phil. thesis. Manchester.
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Added by: gerard
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Pop. 82.61%
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JOVANA BACKOVIC. 2014. Between two worlds: Approaching Balkan oral music tradition through the use of technology as a compositional and performing medium [with special reference to Serbia and former Yugoslavia]. PhD thesis. East Anglia.
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Last edited by: Gregory Walker
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Pop. 46.93%
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C. BAKER. 2008. Popular music and narratives of identity in Croatia since 1991. PhD thesis. London (UCL).
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Last edited by: Gregory Walker
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Pop. 84.83%
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CHRISTOPHER J. BALDWIN. 2018. Citizen-centred dramaturgy and the Flow Quartet: European Capital of Culture, Wroclaw, 2016, Poland. PhD thesis. Kent.
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Added by: Gregory Walker
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Pop. 22.5%
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R.A. BARTLETT. 1990. Wagner and Russia: The influence of the music and ideas of Richard Wagner on the artistic and cultural life of Russia and the Soviet Union, 1841-1941. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 76.09%
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NAOMI BATH. 2017. The contemporary folk music scene in Budapest: Explorations of revival and post-revival. PhD thesis. London (Royal Holloway).
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Added by: Gregory Walker
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Pop. 21.54%
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A. BAYLEY. 1996. Bartók performance studies: Aspects of articulative notation in the context of changing traditions of composition and performance in the twentieth century. Ph.D. thesis. Reading.
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Last edited by: Gregory Walker
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Pop. 74.83%
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R. BECKLES WILLSON. 1999. György Kurtág's 'The Sayings of Péter Bornemisza', Op.7: Song in a cycle in 1960s Hungary. Ph.D. thesis. London (KCL).
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Last edited by: Gregory Walker
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Pop. 76.83%
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ADAM BEHAN. 2022. Life, work and the individual classical performer: Maria Yudina's artistic practice and imagination [Russian pianist, 1899-1970]. PhD thesis. Cambridge.
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Added by: Gregory Walker
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Pop. 10.73%
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ANASTASIA BELINA. 2009. A critical re-evaluation of Taneyev's 'Oresteia'. PhD thesis. Leeds.
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Last edited by: Gregory Walker
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Pop. 73.8%
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EUGENE A. BIRMAN. 2015. Twenty years of independence: Modern Estonian music, EU integration and effects on identity. DPhil thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 42.41%
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B.W. BLACKWOOD. 1972. The music of the Ballets Russes, 1909-1919. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 72.91%
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B. BOLESLAWSKA-LEWANDOWSKA. 2010. Symphony and symphonic thinking in Polish music after 1956. PhD thesis. Cardiff.
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Last edited by: Gregory Walker
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Pop. 69.73%
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MAUREEN J. BONELLO. 2011. VoÅ™ÃÅ¡ek's piano works: An explanation of this repertoire through performance […], with a critical edition of VoÅ™ÃÅ¡ek's Rondo Espagnol, Op. 17, for piano and orchestra. PhD thesis. Surrey.
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Last edited by: Gregory Walker
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Pop. 61.21%
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C.M. BROOKE. 1999. The development of Soviet music policy, 1932-41. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 73.28%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.