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ELENA NALIMOVA. 2012. Demystifying Galina Ustvolskaya: Critical examination and performance interpretation. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 33.94%
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A.H. NERCESSIAN. 2003. Marxism-Leninism, national identity and the perception of Armenian music. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 64.06%
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EMER P. NESTOR. 2013. Reinterpreting Pyotr Il'yich Tchaikovsky's <i>Romeo and Juliet</i> through hermeneutic windows. PhD thesis. NUI (Maynooth).
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Added by: gerard
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Pop. 35.52%
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PAUL NEWTON-JACKSON. 2022. Georg-Philipp Telemann [1681-1767] and the invention of 'the Polish style': Musical Polishness in the early modern German imagination. PhD thesis. Cambridge.
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Added by: Gregory Walker
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Pop. 19.25%
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ALEXANDRU-VLAD NICU. 2021. Youth culture, music and resistance: A qualitative investigation of the punk and electronic music scenes of Bucharest [from field work conducted in 2018]. PhD thesis. Surrey.
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Added by: Gregory Walker
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Pop. 18.46%
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P.J. NIXON. 1993. Transylvanian nexus: Human interdependencies and music-making in the Gurghiu valley. Ph.D. thesis. Queen's Belfast.
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Last edited by: Gregory Walker
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Pop. 67.7%
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J.P. NORRIS. 1979. A survey of Russian piano music from its origins to the year 1917. M.Litt. thesis. Lancaster.
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Last edited by: gerard
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Pop. 31.57%
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-----. 1989. The development of the Russian piano concerto in the nineteenth century. Ph.D. thesis. Sheffield.
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Last edited by: Gregory Walker
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Pop. 36%
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PETR NUSKA. 2022. Roma-ness in music, music in Roma-ness: The musical craft of Slovak Roma in Klenovac and Kokava. PhD thesis. Durham.
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Added by: Gregory Walker
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Pop. 18.82%
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N. O'LOUGHLIN. 1978. Slovenian composition since the First World War. Ph.D. thesis. Leicester.
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Last edited by: Gregory Walker
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Pop. 60.96%
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C.L. O'RIORDAN. 1971. Aspects of the inter-relationship between Russian folk and composed music. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 36.25%
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GARY O'SHEA. 2013. Prokofiev's early piano music. PhD thesis. Sheffield.
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Last edited by: Gregory Walker
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Pop. 31.03%
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VLADIMIR S. ORLOV. 2011. Soviet cantatas and oratorios by Sergei Prokofiev in their social and cultural context. PhD thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 46.69%
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J.L. PARSONS. 2005. Stylistic change in violin performance 1900-1960, with special reference to recordings of the Hungarian Violin School. Ph.D. thesis. Cardiff.
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Last edited by: Gregory Walker
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Pop. 62.96%
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ANNA PELEKANOU. 2014. The role of sobornost in twentieth-century Russian music:: From Alexander Skriabin to the transcendental style of Sofia Gubaidulina. PhD thesis. Nottingham.
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Last edited by: Gregory Walker
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Pop. 31.45%
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JACK PITT. 2019. Hardcore Ljubljana: Punk in the Socialist Republic of Slovenia, 1983-1986. PhD thesis. East Anglia.
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Added by: Gregory Walker
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Pop. 23.92%
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AGNIESZKA PLUTA. 2014. The pianism of Paderewski. PhD thesis. Cardiff.
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Last edited by: Gregory Walker
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Pop. 39.16%
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A.J.L. POPLE. 1984. Skryabin and Stravinsky 1908-1914: Studies in analytical method. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 37.89%
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J.A. POWELL. 1999. After Scriabin: Six composers and the development of Russian music. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 36.67%
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J. POWLES. 1995. Continuity and discontinuity in the music of Stravinsky: Analysis, theory and meta-theory. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 35.88%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.