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E.M. PRITCHARD. 2004. Lyrics and the construction of Albanian identity in post-war Kosovar songs. M.Phil. thesis. London (UCL).
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Added by: gerard
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Pop. 58.51%
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CAMERON PYKE. 2011. Benjamin Britten's creative relationship with Russia. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 46.35%
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R.G. RAWSON. 2002. From Olomouc to London: The early music of Gottfried Finger (c.1655-1730). Ph.D. thesis. London (R Holloway).
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Last edited by: Gregory Walker
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Pop. 56.14%
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MARIA RAZUMOVSKAYA. 2014. Heinrich Neuhaus [Russian pianist, 1888-1964]: Aesthetics and philosophy of an interpretation. PhD thesis. Royal College of Music.
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Added by: Gregory Walker
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Pop. 25.7%
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B. REEVE. 2005. Nikolai Rimsky-Korsakov's use of the 'byliny' (Russian oral epic narratives) in his opera 'Sadko'. Ph.D. thesis. Nottingham.
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Last edited by: Gregory Walker
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Pop. 34.87%
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N. REYLAND. 2005. 'Akcja' and narrativity in the music of Witold Lutosławski. Ph.D. thesis. Cardiff.
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Last edited by: Gregory Walker
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Pop. 56.68%
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J. RIDDING. 2002. Cultural considerations of 'rubato' in Czech piano performance, with specific reference to Chopin's works. Ph.D. thesis. Kingston.
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Last edited by: Gregory Walker
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Pop. 63.12%
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C.C. RITCHIE. 1994. The Russian Court Chapel Choir: 1796-1917. Ph.D. thesis. Glasgow.
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Last edited by: Gregory Walker
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Pop. 37.55%
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P.D. ROBERTS. 1988. Aspects of modernism in Russian piano music 1910-1929. Ph.D. thesis. CNAA (Kingston Poly).
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Last edited by: Gregory Walker
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Pop. 61.3%
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CRAIG ROBERTSON. 2013. Singing to be normal: Tracing the behavioural influence of music in conflict transformation [with special reference to a choir in Sarajevo]. PhD thesis. Exeter.
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Last edited by: Gregory Walker
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Pop. 37.24%
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BELINDA J. ROBINSON. 2020. Musical monuments of Hungarian history: Ferenc Erkel's pre-revolution operas. DPhil thesis. Oxford.
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Added by: Gregory Walker
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Pop. 23.15%
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M.D. ROFE. 2008. Shostakovich and the Russian Doll: Dimensions of energy in the symphonies. PhD thesis. York.
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Last edited by: Gregory Walker
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Pop. 52.67%
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RENSE M. ROYAARDS. 2020. Altered states [psychophysics with reference to the Russian avant-garde of the 1910s-1920s]. PhD thesis. UCL.
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Added by: Gregory Walker
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Pop. 26.18%
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HELEN E. RUDEFORTH. 1999. Words, ideas and music: A study of Tchaikovsky's last completed work, the Six Songs, Opus 73. PhD thesis. Birmingham.
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Added by: Gregory Walker
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Pop. 19.14%
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P.P. RUDNICK. 1992. A study of the music of Witold Lutosławski. M.Phil. thesis. Wales (Bangor).
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Last edited by: gerard
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Pop. 49.88%
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T. RUTHERFORD-JOHNSON. 2009. New music from Poland and Hungary: From reception to analysis [with special reference to Penderecki and Ligeti]. PhD thesis. London (Goldsmiths).
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Added by: gerard
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Pop. 46.29%
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F. SCHEDING. 2008. Mátyás Seiber: Composition in exile. PhD thesis. London (R Holloway).
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Last edited by: gerard
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Pop. 51.58%
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E. SCHMIDT. 2003. From the ghetto to the conservatoire: The professionalisation of Jewish cantors in the Austro-Hungarian Empire (1826-1918). D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 63.49%
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HANNAH SCHNEIDER. 2021. Opera after Stalin: Rodion Shchedrin and the search for the voice of a new era. DPhil thesis. Oxford.
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Added by: Gregory Walker
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Pop. 16.83%
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JOSEPH SCHULTZ. 2017. The symphonic and concertante works of Aram Il'ich Khachaturian: A contextual and analytical study. Ph.D. thesis. Durham.
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Last edited by: Gregory Walker
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Pop. 25.21%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.