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G.J. THOMAS. 2005. The impact of Russian music in England, 1893-1929. Ph.D. thesis. Birmingham.
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Last edited by: Gregory Walker
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Pop. 47.57%
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GEOFFREY E. THOMASON. 2016. Brodsky and his circle: European cross-currents in the Manchester chamber concerts, 1895-1929 [Adolph Brodsky, Russian violinist (1851-1929)]. PhD thesis. Manchester Metropolitan.
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Last edited by: Gregory Walker
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Pop. 32.69%
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M. TODOROVIĆ. 2003. The underground music scene in Belgrade, Serbia: A multidisciplinary study. Ph.D. thesis. Brunel.
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Last edited by: Gregory Walker
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Pop. 54.98%
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ALEJANDRO TOLEDO. 2013. World music, creative reinterpretation, and the East Moldavian Roma tradition. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 43.86%
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S. TUCKER. 1992. Stravinsky and his sketches: The composing of 'Agon' and other serial works of the 1950s. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 39%
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T. URSOVA. 2009. Interpreting cycles of preludes and fugues by Soviet composers: Problems of performance and perception. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 50.91%
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BLANC C.P. WAN. 2017. Contemporary Russian piano school: Pedagogy and performance. Ph.D. thesis. KCL.
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Last edited by: Gregory Walker
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Pop. 34.57%
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L.P. WHELAN. 1992. Shostakovich's Second, Third and Fourth Symphonies. M.Phil. thesis. Sheffield.
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Added by: gerard
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Pop. 46.17%
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A.R. WIGHTMAN. 1972. The music of Karol Szymanowski. Ph.D. thesis. York.
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Last edited by: Gregory Walker
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Pop. 50.91%
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A.G. WILSON. 1975. Form and harmony in the orchestral works and string quartets of Bartók. M.Litt. thesis. Cambridge.
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Last edited by: gerard
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Pop. 43.32%
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TARA J. WILSON. 2015. Russian post-minimalist music: A semiological investigation into the narrative approaches employed by Alexander Knaifel between 1978 and 1994. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 32.62%
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P. WINGFIELD. 1988. Source problems in Janáček's music: Their significance and interpretation. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 50.67%
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R. YAMAMOTO. 2004. György Kurtág's 'Játékok': An analytical study of his musical language. Ph.D. thesis. Roehampton.
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Last edited by: gerard
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Pop. 49.27%
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N.J. YANDELL. 1995. Keyboard music in Russia during the late eighteenth and early nineteenth centuries. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 44.17%
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H. ZAJĄCZKOWSKI. 1985. Tchaikovsky's musical style. Ph.D. thesis. Sheffield.
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Last edited by: gerard
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Pop. 39.79%
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VIKTORIA ZORA. 2017. Sergei Prokofiev's Violin Sonatas Op.80 and 94bis: A historical and comparative study of manuscripts, early editions and interpretations by David Oistrakh and Joseph Szigeti. Ph.D. . London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 32.69%
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DANIJELA ŠPIRIC-BEARD. 2012. Border -- bridge -- crossroads: The construction of Yugoslav identity in music (1835-1938) and the case of Josip Štolcer Slavenski. PhD thesis. Cardiff.
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Added by: gerard
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Pop. 54.98%
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K. ĆWIŻEWICZ. 2001. Musical rites of entertainment among Górale of the Polish Tatra Mountains. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 65.01%
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MARTIN ČURDA. 2017. Analytical and hermeneutical perspectives in the music of Pavel Haas [1899-1944]. Ph.D. thesis. Cardiff.
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Last edited by: Gregory Walker
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Pop. 38.21%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.