UTREES: University Theses in Russian, Soviet and East European Studies 1907--

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Displaying 1 - 20 of 67 (Bibliography: WIKINDX Master Bibliography)
 
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Subject:  Theatre, Ballet, Dance
RACHEL T.R. ALEXANDER. 2015. Tales of cultural transfer: Russian opera abroad, 1866-1906. PhD thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 25.73%
P.A.C. ALLAIN. 1993. Theatre practice in search of theory: The Gardzienice Theatre Association of Poland. Ph.D. thesis. London (Goldsmiths). Added by: gerard  v    Pop. 77.38%
MICHELLE ASSAY. 2016. 'Hamlet' in the Stalin era and beyond: stage and scene. Ph.D. thesis. Sheffield. Last edited by: Gregory Walker  v    Pop. 16.78%
DIEGO AUGUSTO ARBOLEDA. 2016. British Chekhov: an analysis of the United Kingdom's 21st century national identity through contemporary interpretations of Anton Chekhov's plays. Ph.D. thesis. Roehampton. Last edited by: Gregory Walker  v    Pop. 17.25%
CHRISTOPHER J. BALDWIN. 2018. Citizen-centred dramaturgy and the Flow Quartet: European Capital of Culture, Wroclaw, 2016, Poland. PhD thesis. Kent. Added by: Gregory Walker  v    Pop. 2.07%
B. BEUMERS. 1991. Yury Lyubimov at the 'Taganka' Theatre and in exile (1964-1989). D.Phil. thesis. Oxford. Last edited by: Gregory Walker  v    Pop. 60.23%
JOLAN BOGDAN. 2015. Performative contradiction and revolution: Reconsidering Romania. Ph.D. thesis. London (Goldsmiths). Last edited by: Gregory Walker  v    Pop. 16.59%
S. BOWDEN. 1993. 'Petrouchka' in performance, 1911: Tensions and illusions. Ph.D. thesis. Surrey. Last edited by: Gregory Walker  v    Pop. 57.02%
E. BRAUN. 1970. The dramatic theory and practice of Vsevolod Meierkhol┬┤d. Ph.D. thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 59.38%
BRYAN K. BROWN. 2013. Tracing the laboratory line: The phenomenon of the theatre laboratory and its manifestations in Russia. PhD thesis. Leeds. Last edited by: Gregory Walker  v    Pop. 40.43%
M.A.S. BURGESS. 1953. A survey of the stage in Russia from 1741 to 1783 with special reference to the development of the Russian theatre. Ph.D. thesis. Cambridge. Last edited by: Gregory Walker  v    Pop. 58.62%
JOEL CHALFEN. 2011. Performances of conscience at three historic site museums [including the Gulag Museum at Perm-36]. PhD thesis. Manchester. Last edited by: Gregory Walker  v    Pop. 51.65%
GEORGIA CHRYSSOULI. 2019. The alchemist of the Surreal and the Uncanny Valley: Jan ┼ávankmajer, the puppet and eerie animation. PhD thesis. Essex. Last edited by: Gregory Walker  v    Pop. 2.45%
JACQUELINE CLULOW. 2012. The representation of communism in post-war British film, theatre and art, 1945-1963. PhD thesis. Liverpool. Last edited by: Gregory Walker  v    Pop. 43.73%
ROXANNE C. COPPING. 2016. Composers and the Ballets Russes: Convention, innovation and evolution as seen through the lesser-known works. PhD thesis. Manchester. Last edited by: Gregory Walker  v    Pop. 18.66%
VICKY COSTELLO. 2012. Brian Friel, Russia and Ireland: The adaptations and the canon. PhD thesis. NUI (Dublin). Added by: gerard  v    Pop. 44.3%
G.A. COUSIN. 1982. Stanislavsky and Brecht: The relationship between the actor and stage objects. Ph.D. thesis. Exeter. Last edited by: Gregory Walker  v    Pop. 61.92%
S.J. DADSWELL. 2005. The spectacle of Russian Futurism: The emergence and development of Russian Futurist performance, 1910-1914. Ph.D. thesis. Sheffield. Last edited by: Gregory Walker  v    Pop. 63.71%
NATASHA DAVIS. 2016. Performing migratory identity: Practice-as-research on displacement and (be)longing [with reference to migration from former Yugoslavia]. PhD thesis. Warwick. Last edited by: Gregory Walker  v    Pop. 18.38%
B. DAY. 1985. The Theatre on the Balustrade of Prague and the small stage tradition in Czechoslovakia. Ph.D. thesis. Bristol. Last edited by: Gregory Walker  v    Pop. 68.14%

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