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RACHEL T.R. ALEXANDER. 2015. Tales of cultural transfer: Russian opera abroad, 1866-1906. PhD thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 40.38%
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P.A.C. ALLAIN. 1993. Theatre practice in search of theory: The Gardzienice Theatre Association of Poland. Ph.D. thesis. London (Goldsmiths).
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Added by: gerard
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Pop. 80.29%
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MICHELLE ASSAY. 2016. 'Hamlet' in the Stalin era and beyond: stage and scene. Ph.D. thesis. Sheffield.
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Last edited by: Gregory Walker
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Pop. 29.93%
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DIEGO AUGUSTO ARBOLEDA. 2016. British Chekhov: an analysis of the United Kingdom's 21st century national identity through contemporary interpretations of Anton Chekhov's plays. Ph.D. thesis. Roehampton.
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Last edited by: Gregory Walker
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Pop. 31.12%
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CHRISTOPHER J. BALDWIN. 2018. Citizen-centred dramaturgy and the Flow Quartet: European Capital of Culture, Wroclaw, 2016, Poland. PhD thesis. Kent.
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Added by: Gregory Walker
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Pop. 17.42%
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B. BEUMERS. 1991. Yury Lyubimov at the 'Taganka' Theatre and in exile (1964-1989). D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 66.43%
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JOLAN BOGDAN. 2015. Performative contradiction and revolution: Reconsidering Romania. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 29.61%
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S. BOWDEN. 1993. 'Petrouchka' in performance, 1911: Tensions and illusions. Ph.D. thesis. Surrey.
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Last edited by: Gregory Walker
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Pop. 62.79%
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E. BRAUN. 1970. The dramatic theory and practice of Vsevolod Meierkhol´d. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 64.29%
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BRYAN K. BROWN. 2013. Tracing the laboratory line: The phenomenon of the theatre laboratory and its manifestations in Russia. PhD thesis. Leeds.
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Last edited by: Gregory Walker
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Pop. 50.2%
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M.A.S. BURGESS. 1953. A survey of the stage in Russia from 1741 to 1783 with special reference to the development of the Russian theatre. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 64.53%
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JOEL CHALFEN. 2011. Performances of conscience at three historic site museums [including the Gulag Museum at Perm-36]. PhD thesis. Manchester.
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Last edited by: Gregory Walker
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Pop. 57.96%
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ALEXANDRA CHIRIAC. 2020. Putting the peripheral centre stage: Performing modernism in interbellum Bucharest, 1924-1934. PhD thesis. St Andrews.
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Added by: Gregory Walker
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Pop. 13.06%
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GEORGIA CHRYSSOULI. 2019. The alchemist of the Surreal and the Uncanny Valley: Jan Å vankmajer, the puppet and eerie animation. PhD thesis. Essex.
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Last edited by: Gregory Walker
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Pop. 18.61%
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JACQUELINE CLULOW. 2012. The representation of communism in post-war British film, theatre and art, 1945-1963. PhD thesis. Liverpool.
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Last edited by: Gregory Walker
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Pop. 56.61%
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ROXANNE C. COPPING. 2016. Composers and the Ballets Russes: Convention, innovation and evolution as seen through the lesser-known works. PhD thesis. Manchester.
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Last edited by: Gregory Walker
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Pop. 32.07%
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VICKY COSTELLO. 2012. Brian Friel, Russia and Ireland: The adaptations and the canon. PhD thesis. NUI (Dublin).
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Added by: gerard
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Pop. 53.44%
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G.A. COUSIN. 1982. Stanislavsky and Brecht: The relationship between the actor and stage objects. Ph.D. thesis. Exeter.
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Last edited by: Gregory Walker
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Pop. 68.17%
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S.J. DADSWELL. 2005. The spectacle of Russian Futurism: The emergence and development of Russian Futurist performance, 1910-1914. Ph.D. thesis. Sheffield.
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Last edited by: Gregory Walker
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Pop. 68.25%
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NATASHA DAVIS. 2016. Performing migratory identity: Practice-as-research on displacement and (be)longing [with reference to migration from former Yugoslavia]. PhD thesis. Warwick.
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Last edited by: Gregory Walker
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Pop. 29.85%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.