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P.A.C. ALLAIN. 1993. Theatre practice in search of theory: The Gardzienice Theatre Association of Poland. Ph.D. thesis. London (Goldsmiths).
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Added by: gerard
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Pop. 82.38%
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ELENA ARTAMONOVA. 2013. Between tradition and modernity: Sergei Vasilenko and his unknown works for viola and piano. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 54.77%
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JOLAN BOGDAN. 2015. Performative contradiction and revolution: Reconsidering Romania. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 33.9%
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MIHAELA BREBENEL. 2016. Moving images in Romanian critical art practice and recent history. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 33.09%
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MAGDALENA BUCHCZYK. 2015. Beyond the Horniman Museum: History, heritage and craftsmanship in the collection of Romanian artefacts. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 44.86%
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DIMITRIOS CHARITATOS. 2011. A study of ironwork in the Balkans during the late Ottoman era. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 62.32%
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S.C. DOWNES. 1992. Szymanowski as post-Wagnerian: The 'Love Songs of Hafiz', Op. 24. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 69.5%
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D. DRAGAšEVIć. 2005. Meyerhold, director of opera: Cultural change and artistic genres. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 68.62%
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EMMA DUESTER. 2017. Homes on the move for artists from the Baltic States: Artistic practices, mobilities and homes. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 31.24%
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KATHARINA EIST. 2018. Fragmented histories and belonging: Intergenerational memories and experiences of Germans from the former Soviet Union in contemporary Germany. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 23.46%
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NEDA GENOVA. 2020. Surface-machines: Spatio-temporal politics at the recording surface of Bulgarian post-communism. PhD thesis. London (Goldsmiths).
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Added by: Gregory Walker
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Pop. 18.13%
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DIMITRA GKITSA. 2020. Affective commoning: Collective curating in the post-socialist space [curatorial collections in Belgrade, Tirana and Skopje]. PhD thesis. London (Goldsmiths).
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Added by: Gregory Walker
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Pop. 18.5%
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E. GORNY. 2006. A creative history of the Russian internet. PhD thesis. London (Goldsmiths).
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Added by: gerard
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Pop. 62.77%
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VERICA GRMUSA. 2018. Creating art song in the South Slav territories (1900-1930s): Femininity, nation and performance. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 23.39%
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HARRY J. HAYBALL. 2015. Serbia and the Serbian rebellion in Croatia (1990-1991). PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 38.93%
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K.-S. HWANG. 2007. EU eastward enlargement and its impact on inward FDI: A case study of Korean investment in the electronic goods sector in Central and Eastern Europe. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 70.69%
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RACHEL C. JEREMIAH-FOULDS. 2015. Forging the 'lady's hammer': A profile of influence in the life and music of Galina Ustvolskaya [1919-2006]. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 32.64%
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AIMéE E. JOYCE. 2014. Border landscapes: Religion, space and movement on the Polish-Belarusian frontier. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 50.33%
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S. KöKSAL. 2004. Oil pipelines in the CIS: Azeri-Turkish relations. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 71.43%
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I.M. KERTéSZ-WILKINSON. 1994. Diversity in unity. A study of individual creativity through the performance of songs among the Vlach Gypsies of south-eastern Hungary. Ph.D. thesis. London (Goldsmiths).
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Added by: gerard
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Pop. 57.22%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.