|
N.E. EDMUNDS. 1994. Music to the masses: The Soviet proletarian music movement 1917-1932. Ph.D. thesis. Sussex.
|
Last edited by: Gregory Walker
|
|
Pop. 50.93%
|
|
|
M.W. ELLIOTT. 2005. Music, 'race' and diaspora: Romani music making in Ostrava, Czech Republic. Ph.D. thesis. London (SOAS).
|
Last edited by: Gregory Walker
|
|
Pop. 73.57%
|
|
|
DANIEL ELPHICK. 2016. The string quartets of Mieczysław Weinberg: A critical study. PhD thesis. Manchester.
|
Last edited by: Gregory Walker
|
|
Pop. 37.28%
|
|
|
S.B. EMMERSON. 1983. Two early orchestral works of Béla Bartók: A study of programmatic form and orchestral technique. M.Phil. thesis. Oxford.
|
Added by: gerard
|
|
Pop. 58.87%
|
|
|
-----. 1989. Programmatic and symbolic references in some early works of Bartók. D.Phil. thesis. Oxford.
|
Last edited by: Gregory Walker
|
|
Pop. 61.66%
|
|
|
FIONNUALA FAGAN-THIÉBOT. 2015. The sound of memory: An artistic exploration of personal and cultural narratives in post-conflict communities [with refernce to Bosnia and N. Ireland]. PhD thesis. Queen's Belfast.
|
Last edited by: Gregory Walker
|
|
Pop. 42.12%
|
|
|
P. FAIRCLOUGH. 2002. Shostakovich's Fourth Symphony: Context and analysis. Ph.D. thesis. Manchester.
|
Added by: gerard
|
|
Pop. 46.22%
|
|
|
MARGARET FRAINIER. 2021. The Russian opera libretto as preached and practiced in the nineteenth century. DPhil thesis. Oxford.
|
Added by: Gregory Walker
|
|
Pop. 22.15%
|
|
|
A.L. FRANCESCHETTI. 2002. Soviet musicals of the 1930s: An historical interpretation. Ph.D. thesis. Leeds.
|
Added by: gerard
|
|
Pop. 44.6%
|
|
|
HELEN GALBRAITH. 2012. Pushkin and Pushkin celebrations in Russian and Soviet song: assessing the development of a musical tradition. PhD thesis. Bristol.
|
Last edited by: Gregory Walker
|
|
Pop. 54.16%
|
|
|
E.J.C. GARDEN. 1969. Mily Alekseyevich Balakirev: A critical study of his life and music. Ph.D. thesis. Edinburgh.
|
Last edited by: Gregory Walker
|
|
Pop. 47.27%
|
|
|
S. GILBERT. 2002. Music in the Nazi ghettos and camps (1939-1945) [with special reference to Warsaw, Vilna, Sachsenhausen and Auschwitz]. D.Phil. thesis. Oxford.
|
Last edited by: Gregory Walker
|
|
Pop. 68.36%
|
|
|
M.G.W. GILLIES. 1987. Notation and tonal structure in Bartók's later works. Ph.D. thesis. London (External).
|
Added by: gerard
|
|
Pop. 63.52%
|
|
|
RICHARD GILLIES. 2018. Songs of stagnation: Vocal cycles from the Soviet Union, 1964-1985. PhD thesis. Manchester.
|
Added by: Gregory Walker
|
|
Pop. 24.88%
|
|
|
IZABELLA GOLDSTEIN. 2019. Singing songs of the Polish-Jewish underworld: Between World War Two street music and 21st century performance. PhD thesis. Manchester.
|
Added by: Gregory Walker
|
|
Pop. 18.98%
|
|
|
C.J. GOODALL. 1973. Percussive effects in the music of Bartók. Ph.D. thesis. Wales (Bangor).
|
Added by: gerard
|
|
Pop. 56.76%
|
|
|
S.A.K. GRIFFITHS. 1982. A critical study of the music of Rimsky-Korsakov up to 1890. Ph.D. thesis. Sheffield.
|
Last edited by: Gregory Walker
|
|
Pop. 48.76%
|
|
|
VERICA GRMUSA. 2018. Creating art song in the South Slav territories (1900-1930s): Femininity, nation and performance. PhD thesis. London (Goldsmiths).
|
Last edited by: Gregory Walker
|
|
Pop. 31.33%
|
|
|
E. GROSS. 1970. The string quartets of František Xaver Dušek: A critical edition. M.Litt. thesis. Aberdeen.
|
Last edited by: gerard
|
|
Pop. 59.06%
|
|
|
CHRISTINA GUILLAUMIER. 2011. From piano to stage: A genealogy of musical ideas in the piano works of Sergei Prokofiev (1900--c. 1920). PhD thesis. St Andrews.
|
Last edited by: Gregory Walker
|
|
Pop. 40.51%
|
|
UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.