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B. DAY. 1985. The Theatre on the Balustrade of Prague and the small stage tradition in Czechoslovakia. Ph.D. thesis. Bristol.
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Last edited by: Gregory Walker
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Pop. 75.25%
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GIOVANNA DI MAURO. 2019. From stage to street: The transnational production of politically engaged art in post-Soviet Moldova. PhD thesis. St Andrews.
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Added by: Gregory Walker
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Pop. 31.45%
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R.S. DIXON. 1999. Efros and Molière: A study of Anatoly Efros's productions of Bulgakov's 'Molière' and of Molière's 'Don Juan', 'Tartuffe' and 'The Misanthrope'. Ph.D. thesis. TC Dublin.
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Last edited by: Gregory Walker
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Pop. 63.65%
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ROS DIXON. 2003. From iconoclast to traditionalist: A study of Anatolii Efros's productions of Chekhov, Gogol and Turgenev. PhD thesis. Nottingham.
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Added by: Gregory Walker
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Pop. 25.06%
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ANCA DOCZI. 2018. Theatre of testimonies: Performing memory [with special reference to Romanian migrants in the UK]. PhD thesis. East London.
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Last edited by: Gregory Walker
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Pop. 33.37%
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I. DODOVSKI. 2008. Perichorestic desire, catachrestic discontent: Identity representations in contemporary Balkan drama. PhD thesis. Nottingham.
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Last edited by: Gregory Walker
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Pop. 64.21%
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KATE DONOGHUE. 2022. Performing trauma on post-conflict stages: The representational strategies of DAH Teatar [founded in Belgrade c.1991]. PhD thesis. Manchester.
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Added by: Gregory Walker
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Pop. 18.24%
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D. DRAGAŠEVIĆ. 2005. Meyerhold, director of opera: Cultural change and artistic genres. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 69.6%
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C. DUNKLEY. 2003. Theatre and human rights: Approaches to playwriting the Kosovo conflict. Ph.D. thesis. Exeter.
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Last edited by: Gregory Walker
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Pop. 77.85%
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CHRISTINA F. EZRAHI. 2009. Artistic autonomy and the Soviet cultural project: The Kirov and Bolshoi ballet companies, 1953-1968. PhD thesis. London (UCL).
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Last edited by: Gregory Walker
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Pop. 55.71%
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FIONNUALA FAGAN-THIÉBOT. 2015. The sound of memory: An artistic exploration of personal and cultural narratives in post-conflict communities [with refernce to Bosnia and N. Ireland]. PhD thesis. Queen's Belfast.
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Last edited by: Gregory Walker
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Pop. 42.12%
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M. FRAME. 1993. The politics of the Soviet theatre 1917-1927. M.Litt. thesis. Aberdeen.
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Last edited by: gerard
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Pop. 59.62%
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M.M. FRAME. 1998. The St Petersburg Imperial Theatres 1900-1920: Culture and power during the Russian revolution. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 56.89%
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B.J. HENRY. 1996. Theatrical parody at the Krivoe Zerkalo. Russian 'Teatr Miniatyur', 1908-1931. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 56.51%
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Ž.B. JURIČIĆ. 1972. Russian repertory in the Croatian National Theatre, 1874-1914. Ph.D. thesis. Nottingham.
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Last edited by: gerard
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Pop. 46.9%
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MARIA M. KARDEL. 2012. Fairy politics: Productions of 'A Midsummer Night's Dream' in Poland, 1946-1970. PhD thesis. Sheffield.
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Last edited by: Gregory Walker
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Pop. 47.89%
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AFRODITA K. KATMERIDU-STANEVA. 2021. Beyond formalism: Developing dramaturgy as the basis for a freer formal expression in music related to the natural world [with Bulgarian folk music and C. European musical tradition as background]. PhD thesis. Edinburgh.
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Last edited by: Gregory Walker
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Pop. 18.11%
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KIRSTY A. KAY. 2020. Csángó unchained: Minoritised nation-building in the Hungarian Táncház revival. PhD thesis. Glasgow.
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Last edited by: Gregory Walker
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Pop. 19.91%
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P. KNIGHT. 2007. Radio drama: Sound, text, word; Bakhtin and the aural dialogue of radio drama. PhD thesis. London (Goldsmiths).
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Added by: gerard
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Pop. 56.02%
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ANNA E.A. KOCH. 2017. Characters as social beings: Social performance in the French and Czechoslovak New Waves. DPhil thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 27.92%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.