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GÁBOR KOVÁCS. 2007. European connections of social dancing in 17th-century Hungary. PhD thesis. Queen's Belfast.
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Last edited by: gerard
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Pop. 56.82%
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MARIJA KRNIĆ. 2021. Performing martyrdom: Theatre and community in the Eastern Adriatic Saints' plays [in Croatia and Dalmatia]. PhD thesis. Warwick.
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Last edited by: Gregory Walker
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Pop. 21.4%
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B.S. LEASE. 2009. Fantasy or symptom? Desire and the political in Polish theatre. PhD thesis. Kent.
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Last edited by: Gregory Walker
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Pop. 58.06%
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KATARZYNA LECH. 2013. Re-energizing theatre through verse: The functions of verse structure in theatre [with reference to Irish and Polish verse drama]. PhD thesis. UC Dublin.
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Added by: Gregory Walker
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Pop. 16.63%
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F.-P. LEE. 2007. Transcending the individual sphere: the work of Jerzy Grotowski. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 54.47%
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B. MALNICK. 1936. The origin and early history of the theatre in Russia. Ph.D. thesis. London (SSEES).
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Added by: gerard
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Pop. 36.04%
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ANNA MARTONFI. 2017. An alternative comedy history: Interrogating transnational aspects of humour in British and Hungarian comedies of the inter-war years. PhD thesis. East Anglia.
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Last edited by: Gregory Walker
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Pop. 26.36%
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COLE C.E. MATSON. 2016. Towards a eucharistic theatre: The theatrical theologies of the Reduta, the Rhapsodic Theatre, and Grotowski's Lab. PhD thesis. St Andrews.
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Last edited by: Gregory Walker
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Pop. 23.88%
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R.N. MCCAW. 2003. Bakhtin's other theatre. Ph.D. thesis. London (R Holloway).
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Last edited by: Gregory Walker
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Pop. 58.19%
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REBECCA MCFADDEN. 2012. Performance beyond borders in twenty-first century Prague: Topography of a new theatre-making concept. PhD thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 47.64%
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STELLA MEDVEDEVA. 2022. Constructing aesthetics: Reassessing Vygotsky's early works in the context of the Russian modernist theatre. PhD thesis. Edinburgh.
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Added by: Gregory Walker
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Pop. 15.63%
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NADINE MEISNER. 2013. The role of Marius Petipa in the creation of Russian ballet. PhD thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 33.62%
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ELIZABETH MELLISH. 2013. Dancing through the city and beyond: Lives, movements and performances in a Romanian folk ensemble. PhD thesis. London (UCL).
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Last edited by: Gregory Walker
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Pop. 37.47%
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KELLI J. MELSON. 2009. The practice and pedagogy of Vsevolod Meyerhold's living legacy of actor training: Theatrical biomechanics. PhD thesis. Exeter.
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Last edited by: Gregory Walker
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Pop. 43.8%
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GABRIELA MINDEN. 2021. After the Ballets Russes: Movement and modernism in British theatre, 1914-1935. DPhil thesis. Oxford.
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Added by: Gregory Walker
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Pop. 16.38%
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A. MISOPOLINOU. 2004. Grotowski: Ecstasy and initiation in performance. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 50.5%
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RACHEL A.L. MORLEY. 2010. Performing femininity in an age of change: Representations of woman as performer in the cinema of late Imperial Russia. PhD thesis. London (UCL).
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Last edited by: Gregory Walker
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Pop. 39.76%
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SZILVIA NARAY-DAVEY. 2016. New practice-based methodologies for naturalistic contemporary drama translation [with special reference to Hungarian drama and English translations of 3 Hungarian plays]. PhD thesis. Salford.
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Last edited by: Gregory Walker
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Pop. 40.51%
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KATHERINE A. NEW. 2022. The four elements of nature and narrative: From antiquity to neo-mythological Russian drama. DPhil thesis. Oxford.
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Added by: Gregory Walker
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Pop. 16.32%
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A.C. NOTT. 1997. The Russian school of acting: The development and implementation of a psycho-physical acting technique. Ph.D. thesis. Birmingham.
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Last edited by: Gregory Walker
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Pop. 37.41%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.