|
A.M. OSTROVSKY. 1999. Stanislavsky meets England: Shakespeare, Byron and Dickens at the Moscow Art Theatre and its First Studio, 1898-1920. Ph.D. thesis. Cambridge.
|
Last edited by: Gregory Walker
|
|
Pop. 53.21%
|
|
|
NATASHA E.F. OXLEY. 2015. Talking taboos: the personal over the political? Contemporary Polish playwriting. DPhil thesis. Oxford.
|
Last edited by: Gregory Walker
|
|
Pop. 33.71%
|
|
|
S. PANTOUVAKI. 2008. The effects of theatrical storytelling and scenography on children: The case of children's theatre in the ghetto of Terezín (1941-45). PhD thesis. Central St Martin's College.
|
Last edited by: Gregory Walker
|
|
Pop. 64.17%
|
|
|
SOFIA POLYCHRONIDOU. 2020. Socialist Realist theatre in the Soviet Union in the 1930s: Forming a social identity. PhD thesis. Edinburgh.
|
Added by: Gregory Walker
|
|
Pop. 23.57%
|
|
|
ANNA PORUBCANSKY. 2011. Social performing groups and the building of community: Odin Teatret, Gardzienice, and Song of the Goat Theatre. PhD thesis. London (Goldsmiths).
|
Added by: Gregory Walker
|
|
Pop. 27.22%
|
|
|
C. PRITCHARD. 2006. Performative practices in process: Transitional tactics in Central and Eastern European actions [with examples from Russia and Croatia]. Ph.D. thesis. London (Goldsmiths).
|
Last edited by: Gregory Walker
|
|
Pop. 52.45%
|
|
|
D. RADOSAVLJEVIĆ HEANEY. 2003. Metatheatre as a political tool in Yugoslav drama in the 1980s and 1990s. Ph.D. thesis. Hull.
|
Last edited by: Gregory Walker
|
|
Pop. 63.23%
|
|
|
JAMES ROWSON. 2017. Politics and Putinism: A critical examination of New Russian Drama. PhD thesis. London (Royal Holloway).
|
Added by: Gregory Walker
|
|
Pop. 29.58%
|
|
|
L.-A. SAYERS. 1999. 'Le Pas d'Acier' (1927): A study in the historiography and reconstruction of George Jakulov's set design for Diaghilev's 'Soviet' ballet. Ph.D. thesis. Bristol.
|
Last edited by: Gregory Walker
|
|
Pop. 50.21%
|
|
|
ANN K. SHAPIRO. 2016. In defiance of censorship: An exploration of dissident theatre in Cold War Poland, Czechoslovakia and the German Democratic Republic. PhD thesis. Birmingham.
|
Last edited by: Gregory Walker
|
|
Pop. 38.3%
|
|
|
A. SIMPSON. 2005. Fragments of times and spaces: Collage in the theatre of Vs. E. Meyerhold, 1906-1926. Ph.D. thesis. Hull.
|
Last edited by: Gregory Walker
|
|
Pop. 60.7%
|
|
|
R. STOURAC. 1977. Workers' theatre as a means of agitation and propaganda: Its history, theory and practice since 1918, with particular reference to Russia, Germany and England. M.Litt. thesis. Bristol.
|
Last edited by: gerard
|
|
Pop. 44.84%
|
|
|
RAYLA TADJIMATOVA. 2014. Re-considering Vakhtangov: Theatrical/fantastic realism as a model for agency. PhD thesis. NUI (UC Dublin).
|
Added by: Gregory Walker
|
|
Pop. 31.23%
|
|
|
ALEXANDER THOMAS. 2021. Russian theatre in the age of High Putinism: Politics and aesthetics. DPhil thesis. Oxford.
|
Added by: Gregory Walker
|
|
Pop. 20.21%
|
|
|
O. ULTURGASHEVA. 2008. Ideas of the future among the young Eveny in Northeastern Siberia. PhD thesis. Cambridge.
|
Last edited by: Gregory Walker
|
|
Pop. 54.86%
|
|
|
KATJA VAGHI. 2015. The baroque of Jiří Kilián: Intertextual and intermedial references in Kilián's works. Ph.D. thesis. Roehampton.
|
Last edited by: Gregory Walker
|
|
Pop. 38.66%
|
|
|
JENNIFER VERSON. 2021. Performing peace: Applied performance and scriptural reasoning as a peacebuilding process [with special reference to pre-Holocaust Jewish cultural heritage in Czechia]. PhD thesis. Coventry.
|
Added by: Gregory Walker
|
|
Pop. 20.86%
|
|
|
M.H. WALKER. 1974. Russian repertory in the Serbian National Theatre in Belgrade, 1870-1929. Ph.D. thesis. Nottingham.
|
Added by: gerard
|
|
Pop. 46.32%
|
|
|
E.A. WARNER. 1970. The Russian folk-theatre. Ph.D. thesis. Edinburgh.
|
Last edited by: Gregory Walker
|
|
Pop. 44.78%
|
|
|
R. WHYMAN. 2003. The actor - an emotional and spiritual machine: Towards an examination of Stanislavski's methods of actor training. Ph.D. thesis. Manchester.
|
Last edited by: gerard
|
|
Pop. 41.6%
|
|
UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.