|
CLAIRE BRISBY. 2012. The Samokov Archive: Western art and icon-painters in Bulgaria 1800-1850. PhD thesis. London (Courtauld).
|
Added by: gerard
|
|
Pop. 46.49%
|
|
|
ANNA CHRISTIDOU. 2010. Unknown Byzantine art in the Balkan area: Art, power and patronage in twelfth to fourteenth century churches in Albania. PhD thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 73.14%
|
|
|
S.P. COMPTON. 1983. Kazimir Malevich: A study of the paintings, 1910-1935. Ph.D. thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 68.86%
|
|
|
TIMOTHY JUCKES. 2008. St Elizabeth's in Košice: Town, court and church-building in late medieval Hungary. PhD thesis. London (Courtauld).
|
Added by: gerard
|
|
Pop. 62.8%
|
|
|
ALEXANDRA KEISER. 2013. Alexander Arkhipenko and cultural exchange between the wars: From European avant-gardes to avantgardism in the US. PhD thesis. London (Courtauld).
|
Added by: gerard
|
|
Pop. 41.62%
|
|
|
J.J. KIERKUC-BIELINSKI. 2005. Confinement and illusions of freedom: The dialogue between Polish and American conceptual art 1970-1981. Ph.D. thesis. London (Courtauld).
|
Added by: gerard
|
|
Pop. 58.82%
|
|
|
R.J. MANIURA. 1998. Image and pilgrimage: The cult of the Virgin of Częstochowa in the late Middle Ages. Ph.D. thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 56.38%
|
|
|
MARIA MILEEVA. 2011. Import and reception of Western art in Soviet Russia in the late 1920s and 1930s: Selected exhibitions and their role. PhD thesis. London (Courtauld).
|
Added by: gerard
|
|
Pop. 52.4%
|
|
|
S.M. MILLER. 1990. Constantin Brâncuşi (1876-1957). Ph.D. thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 60.44%
|
|
|
J. MILNER. 1979. Russian constructivism: The first phase: Rodchenko and Tatlin. Ph.D. thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 53.95%
|
|
|
M.J. O'MAHONY. 1998. Representing 'fizkultura': Sport and Soviet culture from the first Five Year Plan to the Great Patriotic War. Ph.D. thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 56.01%
|
|
|
Z. OPAÄIć. 2003. Charles IV and the Emmaus Monastery: Slavonic tradition and Imperial ideology in fourteenth century Prague. Ph.D. thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 70.18%
|
|
|
L. ORMROD. 1997. The Wenceslas Chapel in St Vitus' Cathedral, Prague: The marriage of imperial iconography and Bohemian kingship. Ph.D. thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 57.56%
|
|
|
A. PARIGORIS. 1997. Constantin Brâncuşi, a peasant in Paris: A study of the persona and work of Constantin Brâncuşi from a post-Symbolist perspective. Ph.D. thesis. London (Courtauld).
|
Last edited by: gerard
|
|
Pop. 58.52%
|
|
|
R.M. RILEY. 1983. Alexander Deineka: The artist and the state in Soviet Russia, 1920-1939. M.Phil. thesis. London (Courtauld).
|
Added by: gerard
|
|
Pop. 53.21%
|
|
|
A. ROżNOWSKA-SADRAEI. 2006. Pater Patriae: St Stanislas and the art of the Polish kings (1200-1455). Ph.D. thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 54.46%
|
|
|
SCOTT D. RUBY. 2008. The Kremlin workshops of the tsars and foreign craftsmen, c. 1500-1711. PhD thesis. London (Courtauld).
|
Added by: gerard
|
|
Pop. 50.7%
|
|
|
NADIM SAMMAN. 2010. Between the Gulag and the Guggenheim: (post) Soviet artists and New York in the 1980s and 1990s. PhD thesis. London (Courtauld).
|
Added by: gerard
|
|
Pop. 50.18%
|
|
|
ANDREY SHABANOV. 2013. Re-presenting the Peredvizhniki: A partnership of artists in late nineteenth-century Russia. PhD thesis. London (Courtauld).
|
Added by: gerard
|
|
Pop. 37.49%
|
|
|
A. SIMPSON. 1978. The connections between English and Bohemian painting during the second half of the fourteenth century. Ph.D. thesis. London (Courtauld).
|
Last edited by: Gregory Walker
|
|
Pop. 63.91%
|
|
UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.